Is this a picture of Ke$ha or David Bowie?

In January, when "Tik Tok" was just starting to hit, I described Ke$ha as "a 22-year-old pop confectionary/cautionary tale." By November, when "We R Who We R" debuted at #1 on the Billboard Hot 100, I had crowned her an "outcast icon." The truth probably lies somewhere in between those two statements, but if there's a better way to sum up the pop star's rather incredible rise to fame, I am unaware of it.

Because in 2010, there really was no one else who came close to matching Ke$ha, whether in terms of sheer chart dominance ("Tik Tok," enjoyed the year's longest run at #1, spending nine weeks atop the Hot 100), or pure WTF-ery. She began the year as a belching, squelching, booze-swilling party monster and ended it as perhaps the most unlikely of role models — an unrepentant oddball who not only dared to speak her mind, but defy conventions, too. And through it all, she remained largely unclassifiable, shifting between genres (pop, hip-hop, rock) and personas (dumpster-diving diva, Topanga Canyon bohemian, DayGlo star child) with each successive hit. And because of that, Ke$ha became one of the year's most interesting characters, the kind of pop oddity that leaves critics alternately grasping at adjectives and scratching their heads.

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If this kind of music can make it, then I need to let my five year old know that she can go on tour as of right now. I never thought I would utter the same words as my father, but "Do people really listen to that"?

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